Dusshera Gujarati movie arrives as one of the most talked film of the year, mainly because of its ambitious attempt to blend mythology, drama, intense visuals, and modern film making techniques. Directed by Chinmay Naik and backed by a strong technical team, the movie positions itself as a mythological thriller that tries to push Gujarati cinema into a new era of storytelling and VFX presentation.
From the very first frame, the film sets a mysterious and divine atmosphere. The background score builds tension, while the visuals highlight dark forests, holy symbolism, and a feeling that something supernatural is watching. Gujarati cinema has recently taken bold steps into new genres, and “Dusshera” continues that trend by giving the audience a story that connects tradition, spirituality, and suspense.
The plot revolves around a young doctor named Shrutika, whose life takes an unexpected turn when she gets connected to ancient beliefs and unexplained events linked to the powerful divine energy of Vaghmata. What starts as a normal life journey slowly pulls her into a world where science meets spirituality. The movie tries to answer the eternal question—what happens when human logic collides with divine power?
The pacing of the film is steady, allowing the audience to understand the emotional background of the characters while slowly building the mystery. The middle part of the movie is filled with dramatic shifts, visual storytelling, and secrets that uncover the larger truth behind the storyline. The director ensures that the tension never drops for too long and keeps viewers guessing about the next twist.
Performances are one of the strong pillars of “Dusshera.”
Kartik J delivers a solid performance with intensity and sincerity. His expressions during emotional and confrontation scenes feel natural and impactful.
Jagdish Italiya adds depth to the story, especially in the scenes where belief and fear collide.
Pauravi Joshi, as Shrutika, stands out with a calm but powerful presence. Her fear, confusion, and growing connection with the mythical events are portrayed convincingly.
Supporting actors contribute well without overshadowing the central plot.
One of the biggest highlights of the film is its VFX and cinematography. For Gujarati cinema, which is gradually evolving in terms of production quality, “Dusshera” is a big leap forward. The visuals of supernatural appearances, divine symbols, forest sequences, and mystical energies add a grand scale to the film. Cinematographer Gargey Trivedi creates a consistent dark-themed ambience that suits the storyline perfectly.
The music by Veeral Laavan blends traditional tones with suspenseful beats. The background score plays an important role in creating tension during key moments. It neither overpowers the scenes nor feels flat — it stays balanced and adds emotional weight.
Where the movie truly shines is in presenting mythology in a fresh, modern cinematic style. Instead of focusing only on devotional elements, it explores the psychological impact of belief, fear, and faith. The film also encourages viewers to think about how ancient stories still influence today’s world.
However, some parts of the screenplay could have been tighter. A few scenes in the second half feel slightly extended, and certain characters could have been explored more deeply. But overall, these minor issues do not reduce the movie’s entertainment value.
“Dusshera (દશેરા)” is a brave attempt to bring mythological thrillers into mainstream Gujarati cinema. With strong performances, impressive visuals, and a gripping storyline, it offers something different for the audience. If you enjoy movies with suspense, spiritual elements, and cinematic scale, this film is definitely worth watching.
